Last night Earl and I attended a touring production of “Fiddler on the Roof” at the local auditorium. The original, starring Zero Mostel, debuted on Broadway over forty years ago and defied the current musical wisdom by addressing such issues as persecution, poverty, and change. Heavy subjects indeed!
Last night’s production addressed the same issues. But what impressed me most was that the mounting of the play favored a 1964 approach, rather than a 2005 bells and whistles one. I’ve seen other vintage Broadway productions that have been updated; and they’ve been so updated that you know they could no longer have taken place in the period they were supposed to. Last night’s “Fiddler” avoided that overdone error.
There were simple sets, not elaborate turning stages. There was great lighting without a single strobe in sight. There were traditional dances, typical of the Russia where the play occurs, and they were not jazzed with bared midriffs and funky hip hops.
While I never saw the Mostel Broadway edition, I’ve seen snippets of it on television thanks to Ed Sullivan. So I had an idea of what the original Tevye looked and sounded like. Last night’s Tevye did a wonderful job, not only of connecting with the past but also making the role his own. I read later in the program notes that he had done this role almost 2500 times. I guess he’s got it right by now.
The gentle play about a Russian dairyman with five daughters who lives in a little Russian village is really all about change and how to keep our sanity in a crazy world. All of us would be better equipped to cope with change in our own life if we took one night out to see “Fiddler on the Roof.”






